OK, I guess its both, but there is an old joke that goes something like this:
Why is the business end of a banjo round ? It makes it easier to break it over the head of anyone who tries to play one.
Until yesterday I would have included the ukelele as another instrument in the same category as the banjo - kitsch and completely lacking in any sort of credibility beyond the tourist industry and Tiny Tim tragics (they know who they are).
The doco on the uke started out predictably enough, and while I found the stuff on Hawaii entertaining, it wasnt until they dragged out a couple of guys with classical backgrounds and set them loose that I began to realise how good 4 strings could sound on an instrument which, to my eyes, looks tailormade for the 'throwaway souvenir' tourist market. The Japanese virtuoso was getting sounds out the thing that were reminiscent of the samisen, completely 'non-uke' notes, while the American's fretwork was in a completely different league to the Hawaiians they showed earlier - a lot closer to classical guitar than the traditional 'just strum it and hum' approach. Both were big fans of the instrument, but it was obvious that they were prodigys - no substitute for god-given talent.
Still not sure that we will be seeing a ukelele on a Joe Satriani/John Petrucci/Steve Vai album anytime soon, but it was an eye (ear ?) opener. I'm afraid the jury is still out on the banjo, though, particularly the duelling variety. Deliverance has a lot to answer for.
http://www.mightyukemovie.com/
http://en.wikipedia.org/wiki/Ukelele
http://en.wikipedia.org/wiki/Samisen

